An Evening of Liszt and Bartók
24 May 2021 | 7.30 pm
Müpa Budapest – Béla Bartók National Concert Hall
#Online event
#Free event
#Dance
Ticket prices
0 HUF
Admission to the Bartók Spring's virtual concert hall is free of charge.
Liszt:
From the Cradle to the Grave, S. 107
Liszt:
Totentanz (Danse Macabre), S. 126
Bartók:
The Wooden Prince, Sz. 60, BB 74
Dramaturgy:
Bálint Rauscher
Set:
Cvijeta Schwinn
Princess:
Mayu Beppu, Miyu Takamori, Antoneta Turk
Costumes:
Leo Mujić, Erzsébet Fülöp
Prince:
Vince Topolánszky, Bence Kaszab
Wooden puppet:
Yuho Yoshioka, László Pavleszek
Lighting:
Leo Mujić, Máté Vajda
Ballet masters, company répétiteur:
Eszter Kazinczy, Szilárd Macher
Fairy:
Gvendolin Nagy
Choreographer, director:
Leo Mujić
Fairies / Forest / Stream:
students of the Hungarian Dance University
Featuring:
Sebestyén Pellet – piano, Szent István Philharmonic
Conductor:
János Kovács
During the first part of their show, the Szent István Philharmonic will perform Ferenc Liszt’s late tone poem, From the Cradle to the Grave, a symphonic work with a special atmosphere, as well as his Danse Macabre, one of the most virtuosic works in the literature of the piano concerto. The solo will be played by Sebestyén Pellet, a graduate of Szent István Király Musical Grammar School and a student of the Liszt Academy.
Leo Mujić is an internationally acknowledged choreographer. He has worked in Paris, Berlin, Zagreb and Zurich, and frequently collaborates with Hungarian dancers and ballet groups. In recent years his interest turned towards large-scale ballets with eventful plots, and Bartók’s The Wooden Prince, which he now stages, is a case in point.
We would like to draw the attention of our audience to that the current pandemic regulations also affect the online program of the Bartók Spring International Arts Weeks, the program and the dates of the events will change. For the most recent information, please visit our website and social media channels.
Leo Mujić is an internationally acknowledged choreographer. He has worked in Paris, Berlin, Zagreb and Zurich, and frequently collaborates with Hungarian dancers and ballet groups. In recent years his interest turned towards large-scale ballets with eventful plots, and Bartók’s The Wooden Prince, which he now stages, is a case in point.
We would like to draw the attention of our audience to that the current pandemic regulations also affect the online program of the Bartók Spring International Arts Weeks, the program and the dates of the events will change. For the most recent information, please visit our website and social media channels.
#Online event
#Free event
#Dance
Ticket prices
0 HUF
Admission to the Bartók Spring's virtual concert hall is free of charge.
