Pure Source
An evening of arts based on Bartók’s Turkish and Hungarian collections
9 April 2024 | 7.30 pm
Müpa Budapest — Béla Bartók National Concert Hall
#Crossover
#Folk dance
#Folk music
Ticket prices
Featuring:
„Meshi” Majda Mária Guessous – voice, bağlama, Iván Barvich – kaval, László Szlama – cobza, Gerzson Dávid Boros, Tamás Smuk – percussions, Ballet Company of Győr, dancers and orchestra of the Hungarian State Folk Ensemble
Music:
Kornél Fekete-Kovács
Featuring from recordings:
Nikola Parov, Danubia Orchestra
Music editor:
László Gőz
Conductor on the recording:
Kornél Fekete-Kovács
Animation:
Laluz Visual Studio
Choreographers:
György Ágfalvi, Gábor Mihályi, László Velekei
Director:
Csaba Káel
Béla Bartók is the most important figure in Hungarian music literature. His folk music collections were indispensable for the following generations’ efforts to preserve the values of Hungarian culture: the melodies he recorded continue to define traditional folk and classical music to this day, and keep inspiring the world of jazz and world music.
Bartók was keenly interested in the music of not only the Hungarian regions, but that of the peoples in the neighbouring countries and more distant regions (e.g. North Africa, Turkey) as well. Featuring verzióban „Meshi” Majda Mária Guessous, the Ballet Company of Győr and the Hungarian State Folk Ensemble, Pure Source presents, through the connection of Turkish and Hungarian music, some characteristic pieces of Bartók’s œuvre, highlighting in particular the links between music and dance.
Bartók was keenly interested in the music of not only the Hungarian regions, but that of the peoples in the neighbouring countries and more distant regions (e.g. North Africa, Turkey) as well. Featuring verzióban „Meshi” Majda Mária Guessous, the Ballet Company of Győr and the Hungarian State Folk Ensemble, Pure Source presents, through the connection of Turkish and Hungarian music, some characteristic pieces of Bartók’s œuvre, highlighting in particular the links between music and dance.