György Selmeczi: Royal Highness | János Vajda: The Verdict – premiere
11 April 2026 | 7.00 pm
Eiffel Art Studios — Miklós Bánffy Stage
Featuring:
Hungarian State Opera Orchestra and Chorus
Libretto:
Péter Horváth (Royal Highness) / Szabolcs Várady (The Verdict)
Script:
Diána Eszter Mátrai (The Verdict)
Chorus director:
Gábor Csiki
Dramaturgy:
Enikő Perczel (Royal Highness)
Conductor:
Kálmán Szennai
Stage set:
Csaba Antal
Costumes:
Anni Füzér
Lighting:
Csaba Szilárdi
Choreographer:
Gergely Csanád Kováts
Director:
Máté Szabó
György Selmeczi: Royal Highness
Prologue: Viktória Mester
Grand Duke: Zoltán Bátki Fazekas
Albrecht: Attila Erdős
Klaus Heinrich: János Szemenyei
Überbein: István Kovács
Samuel Spoelmann: István Rácz
Imma Spoelmann: Ildikó Megyimórecz
Countess Löwenjoul: Kinga Kriszta
Young Klaus: Dávid Kerek
János Vajda: The Verdict
Traps: István Horváth
Schneider: Antal Cseh
Kummer: Szilveszter Szélpál
Zorn: Péter Balczó
Pilet: István Rácz
Simone: Mária Farkasréti
Prologue: Viktória Mester
Grand Duke: Zoltán Bátki Fazekas
Albrecht: Attila Erdős
Klaus Heinrich: János Szemenyei
Überbein: István Kovács
Samuel Spoelmann: István Rácz
Imma Spoelmann: Ildikó Megyimórecz
Countess Löwenjoul: Kinga Kriszta
Young Klaus: Dávid Kerek
János Vajda: The Verdict
Traps: István Horváth
Schneider: Antal Cseh
Kummer: Szilveszter Szélpál
Zorn: Péter Balczó
Pilet: István Rácz
Simone: Mária Farkasréti
The librettos of these new one-act operas are based on works of German prose: György Selmeczi used a novel by Thomas Mann, while János Vajda turned to a novella by Friedrich Dürrenmatt. Royal Highness is a parable with motifs familiar from folk tales and even Hollywood movies, while The Verdict is a psychological thriller with a unique atmosphere.
In János Vajda’s piece, four retired gentlemen pass the time with an interesting parlour game, in which they play their original professions – that of a judge, a defence lawyer, a prosecutor and an executioner. All they need for their imitation trial is a defendant. György Selmeczi’s opera explores the dilemmas that arise from the tension of tradition and modernity. The staging and the music are essentially defined by time when the story is set, i.e. the turn of the 19th and 20th centuries, and with it, by the typical situations of the period’s operas.
This is an opera performance in Hungarian, with Hungarian and English surtitles and one intermission.
In János Vajda’s piece, four retired gentlemen pass the time with an interesting parlour game, in which they play their original professions – that of a judge, a defence lawyer, a prosecutor and an executioner. All they need for their imitation trial is a defendant. György Selmeczi’s opera explores the dilemmas that arise from the tension of tradition and modernity. The staging and the music are essentially defined by time when the story is set, i.e. the turn of the 19th and 20th centuries, and with it, by the typical situations of the period’s operas.
This is an opera performance in Hungarian, with Hungarian and English surtitles and one intermission.
A joint premiere by the Bartók Spring International Arts Weeks and the Hungarian State Opera.